rock and roll（Rock N’Roll 是什么意思）

本文目录

• Rock N’Roll 是什么意思
• rock&roll是什么意思
• rock and roll 是什么意思啊
• 求一些关于Rock and roll的资料
• rock and roll 怎么翻译
• rock and roll是什么意思
• rock’n roll是什么意思
• 求《rock and roll》课文全文翻译
• rock and roll什么意思

Rock N’Roll 是什么意思

Rock N’Roll是摇滚乐（N’代表“and”)

兴起于20世纪50年代中期，主要受到节奏布鲁斯、乡村音乐和叮砰巷音乐的影响发展而来。早期摇滚乐很多都是黑人节奏布鲁斯的翻唱版，因而节奏布鲁斯是其主要根基。摇滚乐分支众多，形态复杂，主要风格有：民谣摇滚、艺术摇滚、迷幻摇滚、乡村摇滚、重金属、朋克等，代表人物有：埃尔维斯·普莱斯利（猫王）、鲍勃·迪伦、披头士乐队、滚石乐队等，是20世纪美国大众音乐走向成熟的重要标志。

扩展资料

除摇滚乐外，其余乐种对应如下：

1、合成乐：Synthetic music

2、民歌：folk

3、管弦乐：orchestra

4、节奏布鲁斯：R&B

5、迪斯科：discotheque

6、灵魂乐曲：Soul

7、“谈话”：RAP

8、爵士：jazz

9、波普：POP

10、乡村音乐：country music

11、“唱片骑士”：DJ，英文全称Disc Jockey

rock&roll是什么意思

何谓摇滚？摇滚乐、摇滚精神、摇滚性格……统称摇滚文化，所谓摇滚，它不单单是某一类别的文化或艺术。不同时代的摇滚长河中，摇滚已不仅仅是一种音乐形式亦或精神意识，而是作为一个具有个性的艺术门类单独存在。中文领域似乎找不到一个合适的字眼形容它，在我们的字典中，将其称为摇滚文化。 摇滚的范围似乎过于宽阔，任何一种单一的艺术形式似乎都难以完完全全的承载它，艺术独有的局限性也抵制了摇滚思想的蔓延。而摇滚，即“ROCKandROLL”的真正含义也似乎走入了泥沼。在人们肆无忌惮的误解下，它在一个个简单浮夸的大脑皮层下被扭曲的乱七八糟，支离破碎。不可否认，摇滚乐对于我们中的大多数人并不是什么精神**般的那种欲望。我所追求的可能并不是什么流行的穿着，先进的思想，漂亮的女友……甚至只是喜欢穿着路边印有列侬画像的劣质T-shirt洋洒在盛夏的街头。相对于摇滚的态度一样，带有一份叛逆，保留一份理智与纯真。而我对于摇滚文化的理解也只尽于此了。 摇滚是一种音乐形态，更是一种文化现象。

rock and roll 是什么意思啊

就是一种音乐形式是有不少意思，但还是翻译成摇滚乐比较好R&R,R&B,RAP,world music

求一些关于Rock and roll的资料

Rock & roll (also known as rock ’n’ roll), is a defined genre of music that originated in the Southern United States in the 1950s, and quickly spread to the rest of the country and on to the world. It later evolved into the various sub-genres of what is now called simply ’rock’. From the late 1950s to the mid 1990s rock was one of the most popular form of music in the western world. Rock and roll is most typically played with an electric guitar, an electric bass guitar, a drum kit, and sometimes a piano or keyboard. In the early rock and roll style of the early 1950s, the saxophone was often the lead instrument, replaced by guitar in the late 50’s. Precursors and originsMain article: Origins of rock and roll Rock and roll emerged as a defined musical style in America in the 1950s, though elements of rock and roll can be heard in blues records as far back as the 1920s. Early rock and roll combined elements of blues, boogie woogie, and jazz with influences from traditional Appalachian folk music, gospel, and especially country and western. Going back even further, rock and roll can trace a foundational lineage to the old Five Points district of mid-19th century New York City, the scene of the first fusion of heavily rhythmic African shuffles and sand dances with melody-driven European genres, particularly the Irish jig. Rocking was a term first used by black gospel singers in the American South to mean something akin to spiritual rapture. By the 1940s, however, the term was used as a double entendre, ostensibly referring to dancing, but with the hidden subtextual meaning of ***; an example of this is Roy Brown’s "Good Rocking Tonight." This type of song was usually relegated to "race music" (the music industry code name for rhythm and blues) outlets and was rarely heard by mainstream white audiences. During the 1920s and 1930s, many white Americans enjoyed seeing and listening to African-American jazz and blues performed by white musicians. They often objected to experiencing the music as performed by the original black artists, but found it acceptable when the music was performed by whites. A few black rhythm and blues musicians, most notably Louis Jordan, achieved crossover success with whites and blacks, but most were rewarded with poverty and eventual obscurity. While increasingly it would became the fashion for rock and roll musicians to write their own material, many of the earliest rock and roll hits were covers of earlier rhythm and blues or blues songs. Blues recordings by such artists as Robert Johnson and Skip James also proved in the 1960s to be important inspirati*** for British blues-rockers such as The Yardbirds, Cream, and Led Zeppelin. In 1951, Cleveland, Ohio, disc jockey Alan Freed began playing this type of music for a multi-racial audience, and it is Freed who is credited with coining the phrase "rock and roll" to describe the rollicking R&B music that he brought to the airwaves. While working as a disc jockey at radio station WJW in Cleveland, Ohio, he organized the first rock and roll concert called "The Moondog Coronation Ball" on March 21, 1952. The event, attended mainly by African Americans, proved a huge drawing card — the first event had to be ended early due to overcrowding. Thereafter, Freed organized many rock and roll shows attended by both whites and blacks, further helping to introduce African-American musical styles to a wider audience. There is much debate as to what should be c***idered the first rock and roll record. Sister Rosetta Tharpe was recording shouting, stomping music in the 1940s that in some ways contained major elements of mid-50s rock and roll. She scored hits on the pop charts as far back as 1938 with her gospel songs, such as "Rock, Daniel," "Up Above My Head", "Down By The Riverside", and "Rock Me". Another artist who was singing hard-rocking blues/gospel to a boogie piano player was Big Joe Turner, whose 1938 recording, "Roll ’em Pete," is almost indistinguishable from 50’s rock and roll. Other significant recording artists of the 1940s and early 1950s included Roy Brown ("Good Rocking Tonight", 1947), more Big Joe Turner ("Honey, Hush", 1953, and "Shake, Rattle and Roll", 1954), and Fats Domino ("The Fat Man," 1949). Rolling Stone magazine argued (with much controversy) in 2005 that "That’s All Right (Mama)" (1954), Elvis Presley’s first single for Sun Records in Memphis, was the first rock and roll record. And Bo Diddley’s 1955 hit "Bo Diddley" backed with "I’m A Man" introduced a new pounding beat and unique guitar playing that inspired many artists. However, it is important to note that, if the heart of rock and roll is the beat, then rock and roll and boogie woogie are nearly the same. Both are 8 to the bar, 12-bar blues; the essential difference is that rock and roll has a greater emphasis on the back beat than boogie woogie...if you take any boogie woogie record of the 1930s or ’40s, and sit a drummer down to play snare on the back beat, then you have essentially turned it into rock and roll. Little Richard exploded onto the music scene, combining boogie-woogie piano with a heavy back beat and over-the-top raspy, shouted, gospel-influenced vocals never before heard in recorded music. He has been credited by Ray Charles, Smokey Robinson, and many other artists for starting a new kind of music. Further, James Brown and others have credited Little Richard’s band for first putting funk in the rock and roll beat. Elvis Presley once told Little Richard, "Your music has inspired me. You are the greatest." The first artists to score in a big way with secular rock ’n’ roll hits were the influential and pioneering: Bo Diddley, Chuck Berry, Little Richard, Bill Haley and Elvis Presley. After Haley’s "Rock Around the Clock" (1954), became the first rock and roll song to top Billboard magazine’s main sales and airplay charts in early 1955, the door was opened for this new wave of popular culture. Within the decade crooners such as Eddie Fisher, Perry Como, and Patti Page, who had dominated the previous decade of popular music, found their access to the pop charts significantly curtailed On March 21, 1952 in Cleveland, Alan Freed (also known as Moondog) organized the first rock and roll concert, titled "The Moondog Coronation Ball". The audience and the performers were mixed in race; the evening ended after one song in a near-riot as thousands of fans tried to get into the sold-out venue. The record industry soon understood that there was a white market for black music that was beyond the stylistic boundaries of rhythm and blues and so social prejudice and racial barriers could do nothing against market forces. Rock and roll was an overnight success in the U.S. ****** ripples across the Atlantic, culminating in 1964 with the British Invasion. During the era between 1953 and 1963, the rock genre was more subject to being danced to prior to the introduction of newer dance genres including Funk, disco, house and techno. In 1954, Elvis Presley recorded at Sam Phillips’ Sun studios in Memphis, the regional hit "That’s All Right (Mama)." Elvis played a rock and country & western fusion called rockabilly, which was characterized by hiccupping vocals, slapping bass and a spastic guitar style. He became the first superstar rock musician. It was the following year’s "Rock Around the Clock" by Bill Haley & The Comets that really set the rock boom in motion, though. The song was one of the biggest hits in history, and frenzied teens flocked to see Haley and the Comets perform it, even causing riots in some places; "Rock Around the Clock" was a breakthrough for both the group and for all of rock and roll music. The song’s inclusion in the film "The Blackboard Jungle" marked the beginning of a mutually beneficial marriage of the genre to film. It had been recorded in 1954 with limited sales, but exploded in 1955 after the release of the movie, which used it in the opening sequence. If everything that came before laid the groundwork, "Clock" certainly set the mold for everything else that came after. With its combined rockabilly and R & B influences, "Clock" topped the U.S. charts for several weeks, and became wildly popular in places like Australia and Germany. The single, released by independent label Festival Records in Australia, was the biggest-selling recording in the country at the time. In 1957, Jerry Lee Lewis and Buddy Holly became the first rock musicians to tour Australia, marking the expansion of the genre into a worldwide phenomenon. That same year, Haley toured Europe, bringing rock ’n’ roll to that continent for the first time. The massive popularity and worldwide scope of rock and roll resulted in an unprecedented level of social impact. Far beyond simply a musical style, rock and roll influenced lifestyles, fashion, attitudes, and language in a way few other social developments have equaled; "Then one fine mornin’ she puts on a New York station; you know her life was saved by rock ’n’ roll," as one song put it. However, it is not without its detractors

rock and roll 怎么翻译

摇滚乐，还可写作rock ’n’ roll 或 rock-and-rollA form of popular music arising from and incorporating a variety of musical styles, especially rhythm and blues, country music, and gospel. Originating in the United States in the 1950’s, it is characterized by electronically amplified instrumentation, a heavily accented beat, and relatively ****** phrase structure.一种起源于节奏和蓝调音乐、乡村音乐及福音歌曲等多种音乐风格并把它们融为一体的流行音乐形式，它兴起于20世纪50年代的美国，特征是使用电声加强的乐器演奏法，具有强烈的节奏和相对简单的旋律

rock and roll是什么意思

摇和滚.. 就是摇滚 摇滚（Rock and Roll）是一种音乐类型，起源于1940年代末期的美国，1950年代早期开始流行，迅速风靡全球。摇滚乐以其灵活大胆的表现形式和富有激情的音乐节奏表达情感，受到了全世界年轻人的喜爱。摇滚乐并在1960年代和1970年代形成一股热潮。 望采纳 谢谢

rock’n roll是什么意思

欧美人一般用这句话表示“开始行动”之类的意思。比如大家决定打扫卫生，一个喊“let‘s rock and roll”，大家就热火朝天的干起来了。。。。

求《rock and roll》课文全文翻译

摇滚乐 很难精确的说出我们所称的“摇滚乐”是如何起源的。它的根可以追溯到许多不同的国家，不同类型的音乐和音乐家。 摇滚乐主要由非洲黑人音乐和欧洲白人音乐相互交流发展而来。17世纪抵达美洲的欧洲人和黑奴各有其不同的音乐。非洲黑人惯用重击的鼓声、粗糙刺耳的声音、喊叫的曲调和齐声应答。欧洲白人，主要是英格兰人和苏格兰人，则常用较强烈的旋律、不太重的鼓声以及诸如吉他、喇叭和提琴等乐器。摇滚乐的历史便是从这两种传统音乐发展而来的历史。 从17世纪到20世纪，美国的南部的音乐家形成了两种音乐形式：通常由黑人演奏的“布鲁斯”和白人演奏的乡村音乐。黑人音乐家用吉他伴奏演唱“布鲁斯”。这种音乐类似劳动号子，叙述痛苦和忧伤，歌词常重复多次。“摇滚”一词可能来源于南方黑人的教堂，人们在那里唱着圣歌，并随着强烈的节奏舞蹈，这种节奏称为“摇摆和旋转”。同时，白人演奏乡村音乐，这种音乐大多是传统的舞曲和叙述悲伤故事的慢拍子歌曲。歌手们用弦乐器如提琴和吉他伴奏。

在此期间，“布鲁斯”音乐家与乡村音乐家之间相互有了一些影响，到19世纪末唱片普及以后，这种影响变得强烈起来。电吉他的诞生使20世纪40年代的乡村音乐和“布鲁斯”音乐发生了变化。电吉他的声音成了摇滚乐的声音。 人们一想到早期的摇滚乐一定会想到“摇滚乐之王”埃尔维斯·普莱斯里。埃尔维斯是一个普通的男孩，在贫穷中长大，在教堂里学会了唱歌，中学毕业后当上了一名卡车司机。谁也不曾想到，这个背着吉他的青年会改变流行文化。但是自从他在孟菲斯录制了两首“布鲁斯”歌曲后，一切都变了。他唱遍了南方各地，青少年们为他那惊人的嗓音和迷人的表演而疯狂。他演唱的音乐把白人的乡村音乐和黑人的“布鲁斯”音乐融为一体，非常激动人心。他留长发，穿紧身裤的形象成了青少年们的偶像。两年以后，他风靡全国。 后来，埃尔维斯的事业便开始走向下坡。

他参了军，不再表演，又拍了一系列蹩脚的电影。他仍然继续录制唱片，但他的音乐缺少了他早期歌曲的生命力。然而，不仅在美国，而且在全世界，他仍然是摇滚乐的象征。他死于1977年，年仅42岁，但他的音乐并未因他的死亡而消失。摇滚乐不断发展和变化，但摇滚乐的核心和灵魂仍然是埃尔维斯所表现的那个核心和灵魂

rock and roll什么意思

rock and roll 生词本简明释义n.摇摆舞，摇滚乐